This is important because I’ve encountered more than a few times – but more noticeable in Blotted Science’s Cretaceous Chasm – tolets that don’t play against 4s or 2s, the example here would be a 6:7 polyrhythm. Keep the fully configurable n-tolets (the -n:m- thing).As an avid user of Guitar Pro since their 5th iteration, I have a few things I wish for: So, what’s to keep, what’s to change, what do you want to see in Guitar Pro 7? So, now that Guitar Pro 6 has been shamed and buried, the guys over at Arobas Music are beginning working on their next instalment of their Guitar Pro music notation software.
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